Шпаргалка по "Стилистике"

7,9 – Special literary vocabulary.

a) Terms

Terms are generally associated with a definite branch of science and therefore with a series of other terms belonging to that particular branch of science. They know no isolation; they always come in clusters, either in a text on the subject to which they belong, or in special dictionaries which, unlike general dictionaries, make a careful selection of terms. All these clusters of terms form the nomenclature, or system of names, for the objects of study of any particular branch of science.

Terms are characterized by a tendency to be monosemantic and therefore easily call forth the required concept. Terms may appear in scientific style, newspaper style, publicistic style, the belles-lettres style, etc. Terms no longer fulfill their basic function, that of bearing an exact reference to a given notion or concept. The their function is either to indicate the technical peculiarities of the subject dealt with, or to make some references to the occupation of a character whose language would naturally contain special words and expressions. A term has a stylistic function when it is used to create an atmosphere or to characterize a person.

b) Poetic and highly literary words

First of all poetic words belong to a definite style of language and perform in it their direct function. If encountered in another style of speech, they assume a new function, mainly satirical, for the two notions, poetry and prose, have been opposed to each other from time immemorial.

Poetic language has special means of communication, i.e. rhythmical arrangement, some syntactical peculiarities and certain number of special words. The specific poetic vocabulary has a marked tendency to detach itself from the common literary word stock and assume a special significance. Poetic words claim to be, as it were, of higher rank.

Poetic words and ser expressions make the utterance understandable only to a limited number of readers. It is mainly due to poeticisms that poetical language is sometimes called poetical jargon.

c) Archaic words

The word stock of a language is in an increasing state of change. In every period in the development of a literary language one can find words which will show more or less apparent changes in their meaning or usage, from full vigour, through a moribund state, to death, i.e. complete disappearance of the unit from the language. We’ll distinguish 3 stages in the aging process of words: 1) the beginning of the aging process when the word becomes rarely used. Such words are called obsolescent, i.e. they are in the stage of gradually passing out of general use; 2) The second group of archaic words are those that have already gone completely out of use but are still recognized by the English speaking community. These words are called obsolete. 3) The third group, which may be called archaic proper, are words which are no longer recognized in modern English, words that were in use in Old English and which have either dropped out of the language entirely or have changed in their appearance so much that they have become unrecognizable.

There is another class of words which is erroneously classed as archaic, historic words. Words of this type never disappear from the language.

Archaic words are used in historical novels, in official and diplomatic documents, in business letters, legal language, etc. Archaic words, word-forms and word combinations are also used to create an elevated effect.

d) Barbarisms and foreign words

Barbarisms are words of foreign origin which have not entirely been assimilated into the English language. They bear the appearance of a borrowing and are felt as something alien to the native tongue. The great majority of the borrowed words now form part of the rank and file of the English vocabulary. There are some words which retain their foreign appearance to greater or lesser degree. These words, which are called barbarisms, are also considered to be on the outskirts of the literary language. Most of them have corresponding English synonyms. Barbarisms are not made conspicuous in the text unless they bear a special load of stylistic information.

Foreign words do not belong to the English vocabulary. In printed works foreign words and phrases are generally italicized to indicate their alien nature or their stylistic value. There are foreign words which fulfill a terminological function. Many foreign words and phrases have little by little entered the class of words named barbarisms and many of these barbarisms have gradually lost their foreign peculiarities, become more or less naturalized and have merged with the native English stock of words.

Both foreign words and barbarisms are widely used in various styles of language with various aims, aims which predetermine their typical functions. One of these functions is to supply local color. Barbarisms and foreign words are used in various styles of writing, but are most often to be found in the style of belles-lettres and the publicistic style.

e) literary coinages

Every period in the development of a language produces an enormous number of new words or new meanings of established words. Most of them do not live long. They are coined for use at the moment of speech, and therefore possess a peculiar property – that of temporariness. The given word or meaning holds only in the given context and is meant only to "serve the occasion”. However, a word or a meaning once fixed in writing may become part and parcel of the general vocabulary irrespective of the quality of the word.

The coining of new words generally arises with the need to designate new concepts and also with the need to express nuances of meaning called forth by a deeper understanding of the nature of the phenomenon in question. There are 2 types of newly coined words: 1) those which designate new-born concepts, may be named terminological coinages or terminological neologisms; 2) words coined because their creators seek expressive utterance may be named stylistic coinages or stylistic neologism.

Neologisms are mainly coined according to the productive models for word-building in the given languages. Most of the literary coinages are built by means of affixation and word compounding.

An unexpected use of the author's nonce words like: He glasnosted his love affair with this movie star (People) is another example of morphological expressive means.