Шпаргалка по "Стилистике"

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Работа содержит ответы на вопросы для экзамена (зачета) по "Стилистике"

Прикрепленные файлы: 31 файл

1.General defenitions of style and stylistics.doc

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10. Essential concepts of emotive prose.doc

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11. Special colloquial vocabulary.doc

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12.SEMI-MARKED STRUCTURES. .doc

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13. Phonetic expressive means and stylistic devices. Onomatopoeis. Alliteration.doc

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14. Figures of quality..doc

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15. Lexical expressive means and stylistic devices. .doc

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16. Scientific prose style..doc

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18. Essential concepts of semantic field.doc

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2. Essential concepts of decoding stylistics.doc

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20. Essential concepts od defeated expectancy.doc

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21. Syntactical expressive means and stylistic devices.doc

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24. PUBLICISTIC STYLE. ORATORY AND SPEECHES.doc

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26. Stylistic morphology. Morphological synonomy..doc

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27. Syntactical expressive means.doc

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28. STYLISTIC GRAPHOLOGY. THE NOTION OF GRAPHONES.doc

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29. The history of stylistics.doc

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3. ESSENTIAL CONCEPTS OF PUBLICIST (MEDIA) STYLE.doc

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30.Types of foregrounding.doc

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31. Figures of replacement.doc

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32. Essentials concepts of stylistics of paradigmatics and syntegmatics. (the theory of Y. M. Skrebnev).doc

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4. English literary language. Varieties of language. Types of lexical mng..doc

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5. Expressiveness and emotiveness. Types of connotative mngs. Adherent and inherent types of connotations..doc

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5. Expressiveness and emotiveness. Types of connotative mngs. Adherent and inherent types of connotations.

 

Stylistic connotations may be inherent or adherent. Stylistically coloured words possess inherent stylistic connotations. Stylistically neutral words will have only adherent (occasional) stylistic connotations acquired in a certain context.

A luxury hotel for dogs is to be opened at Lima, Peru a city of 30.000 dogs. The. furry guests will have separate hygienic kennels, top medical care and high standard cuisine, including the best bones. (Mailer)

Two examples from this passage demonstrate how both stylistically marked and neutral words may change their colouring due to the context:

cuisine -> inherently formal (bookish, high-flown);

-> adherent connotation in the context  -  lowered/humorous; bones    -> stylistically neutral;

-> adherent connotation in the context  -  elevated/humorous.

 

1.6. Stylistic function notion

Like other linguistic disciplines stylistics deals with the lexical, grammatical, phonetic and phraseological data of the language. However there is a distinctive difference between stylistics and the

other linguistic subjects. Stylistics does not study or describe separate linguistic units like phonemes or words or clauses as such. It studies their stylistic function. Stylistics is interested in the expressive potential of these units and their interaction in a text.

Stylistics focuses on the expressive properties of linguistic units, their functioning and interaction in conveying ideas and emotions in a certain text or communicative context.

Stylistics interprets the opposition or clash between the contextual meaning of a word and its denotative meaning.

Accordingly stylistics is first and foremost engaged in the study of connotative meanings.

In brief the semantic structure (or the meaning) of a word roughly consists of its grammatical meaning (noun, verb, adjective) and its lexical meaning. Lexical meaning can further on be subdivided into denotative (linked to the logical or nominative meaning) and connotative meanings. Connotative meaning is only connected with extra-linguistic circumstances such as the situation of communication and the participants of communication. Connotative meaning consists of four components:

1) emotive;

2) evaluative;

3) expressive;

4) stylistic.

A word is always characterised by its denotative meaning but not necessarily by connotation. The four components may be all presentat once, or in different combinations or they may not be found in the word at all.

1. Emotive connotations express various feelings or emotions. Emotions differ from feelings. Emotions like joy, disappointment, pleasure, anger, worry, surprise are more short-lived. Feelings imply a more stable state, or attitude, such as love, hatred, respect, pride, dignity, etc. The emotive component of meaning may be occasional or usual (i.e. inherent and adherent).

It is important to distinguish words with emotive connotations from words, describing or naming emotions and feelings like anger or fear, because the latter are a special vocabulary subgroup whose denotative meanings are emotions. They do not connote the speaker's state of mind or his emotional attitude to the subject of speech.

Thus if a psychiatrist were to say You should be able to control feelings of anger, impatience and disappointment dealing with a child as a piece of advice to young parents the sentence would have no emotive power. It may be considered stylistically neutral.

On the other hand an apparently neutral word like big will become charged with emotive connotation in a mother's proud description of her baby: He is a BIG boy already!

2. The evaluative component charges the word with negative, positive, ironic or other types of connotation conveying the speaker's attitude in relation to the object of speech. Very often this component is a part of the denotative meaning, which comes to the fore in a specific context.

The verb to sneak means "to move silently and secretly, usu. for a bad purpose" (8). This dictionary definition makes the evaluative component bad quite explicit. Two derivatives a sneak and sneaky have both preserved a derogatory evaluative connotation. But the negative component disappears though in still another derivative sneakers (shoes with a soft sole). It shows that even words of the same root may either have or lack an evaluative component in their inner form.

3. Expressive connotation either increases or decreases the expressiveness of the message. Many scholars hold that emotive and expressive components cannot be distinguished but Prof. I. A. Arnold maintains that emotive connotation always entails expressiveness but not vice versa. To prove her point she comments on the example by A. Hornby and R. Fowler with the word "thing" applied to a girl (4, p. 113).

When the word is used with an emotive adjective like "sweet" it becomes emotive itself: "She was a sweet little thing". But in other sentences like "She was a small thin delicate thing with spectacles", she argues, this is not true and the word "thing" is definitely expressive but not emotive.

Another group of words that help create this expressive effect are the so-called "intensifiers", words like "absolutely, frightfully, really, quite", etc.

4. Finally there is stylistic connotation. A word possesses stylistic connotation if it belongs to a certain functional style or a specific layer of vocabulary (such as archaisms, barbarisms, slang, jargon, etc). stylistic connotation is usually immediately recognizable.

Yonder, slumber, thence immediately connote poetic or elevated writing.

Words like price index or negotiate assets are indicative of business language.

This detailed and systematic description of the connotative meaning of a word is suggested by the Leningrad school in the works of Prof. I. V. Arnold, Z. Y. Turayeva, and others.

Gaiperin operates three types of lexical meaning that are stylistically relevant  -  logical, emotive and nominal. He describes the stylistic colouring of words in terms of the interaction of these types of lexical meaning. Skrebnev maintains that connotations only show to what part of the national language a word belongs  -  one of the sub-languages (functional styles) or the neutral bulk. He only speaks about the stylistic component of the connotative meaning.


6.1.Neutral, common literary and common colloquial vocabulary..doc

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6.Neutral, common literary and common colloquial vocabulary..doc

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7,9 - Special literary vocabulary..doc

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8. The belles-lettres style. Language of prose..doc

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Figures of quantity..doc

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Glossary for the Course of Stylistics.doc

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